Skip to main content


One would have to be blind, deaf and dumb not to recognize that Shakespeare's grand, equivocal comedy The Merchant of Venice is nevertheless a profoundly anti-Semetic work.

---

Shylock is an anti-Barabas, turned inward, as much a deep psyche as Barabas is a cartoon.  Shakespeare's imitations of Barabas, Aaron the Moor and Richard III, do homage to Marlow, but Shylock exposes Barabas as a mere caricature, however brilliant and ferocious.  "I'll show you the Jew," Shakespeare says in reply to Marlow and so, alas, he has, to the everlasting harm of the actual Jewish people.

---

I end by repeating that it would have been better for the last four centuries of the Jewish people had Shakespeare never written this play.  

Harold Bloom.  Shakespeare's The Merchant Of Venice.  Riverhead Books.  New York. 2005

Comments

Popular posts from this blog

The community of musicians has never before been confronted with the level of fragmentation that exists today.  Analytic method is divorced from musical reflex, composers from performers, and conventional repertoire from new repertoire.  In this century these polarities have developed because of the momentum of compartmentalization--a trend that has played an important role in many aspects of culture, education, and technology.  Countertrends in specific areas of human endeavor and in the work of extraordinary, multifaceted people have asserted themselves sporadically, but not with the same, sustained persistence as the overriding tendency towards specialization. A lack of mutual understanding is apparent both among and within the major groups of participants in musical life: composers, performers, theorists, and audiences.  Most contemporary composers write mainly for their colleagues and a narrowly defined group of listeners in major cities and universities....
nobody knows shit nobody lives anywhere hello dust! poetry's ridiculous write it feel proud strut look in the mirror believe you know this donkey stumbles blind over stones into walls ditches no words for grief or joy no words for his ruined heart Ikkyu.  Crow With No Mouth.  Copper Canyon Press.  Port Townsend, WA.  1989
When you see a crowd come home quickly, it will carry you into a burning nation, it will suppress your breath, make you a prisoner of your helplessness, open the shops of hearts.  At home anti-communism is waiting for you, a pantry full of winter supplies.  Neither to the left, nor to the right, warns grandfather, who has been through two wars and knows what he's saying. Actually, if people are dying in some town you happen to be visiting on a vacation, you can peacefully sit down to a democratic lunch and wait and see.  If necessary declare a hunger strike. Julian Kornhauser, When you see a crowd come home quickly , ed. by John McBride and Paul Vangelisti, Humps and Wings Polish poetry since '68, Los Angeles, New York, Invisible City / Red Hill Press, 1982